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Blackthorne
Cinemagenic Thirty-Three
Memories
“Memories are not the key to the past,
but to the future.”--Corrie Ten Boom
1(three-shot) Wallace & Salina with their backs to the camera--
Buck looking at one, then the other.
2(sound cue) guitar chord.
3(medium close-up) Buck: I’m really not interested at this time.
4(close-up) Salina, eyes flashing: Why the hell not? Right now
you’re waltzing into a rattlesnake nest. Do you really want to
make our situation in this town your fight? You could stay drunk
for a year on what we would pay you.
5(medium reaction shot) Both Wallace & Buck staring at Salina;
not pleased.
6(sound cue) trumpet & Indian seed rattle.
7(medium close-up) Buck, his eyes narrowing: Look, Miss, I
appreciate your offer & your intentions, but I don’t want to get
drunk, & I don’t want to sell my ranch, or ride out, or run from
Bronson. Like I told your father, I’m through with drifting. If it comes
down to it, my bones will be buried on the ranch next to my folks.
8(sound cue) harmonica & guitar.
9(medium close-up) Salina, smiling sadly, looking him squarely
9(medium close-up) Salina, smiling sadly, looking him squarely
in the eyes: Sounds like you have made up your mind, for now.
We respect that--& if it comes down to it, I will put fresh flowers
on your grave every other Sunday.
10(medium wide shot) She turned & walked past him, smelling like
lavender blossoms & horse sweat. She opened a door behind them,
leaving it open as she strolled out into the back yard.
11(close up) Buck, remembering--
12(flashback) the freshly white-washed fences around the Buck family
plot, & those flowers on the graves.
13(medium close-up) Buck’s face flushed red.
!4(two-shot) Wallace poured a finger of white whiskey into their cups.
--You alright, son?
15(sound cue) violin & soft banjo.
16(angle on Buck over Wallace’s shoulder)
--Yeah, I’m aces. Your daughter seems to have iron staves in
her petticoat.”
17(two-shot) Buck staring out of the open door at Salina.
18(cut to medium shot) Salina near a flower bed, the breeze in
her blackbird tresses, fluttering her Mexican scarf, her hands
on her hips, with yellow, blue, & red flowers at her feet.
19( extreme close up) Buck’s eyes softening.
20(angle on Salina) bending down to pull some weeds. A chorus
of dogs barked, a high soaring hawk screed. He watched her move
her firm body poking through her riding clothes.
21(two shot) Buck looking into the camera, with Wallace behind him.
--Wallace: Here, take another complimentary snort.
Buck turned around & accepted the drink.
22(medium close-up) Wallace: Don’t be too concerned about Salina.
I wanted a son. Melissa, my wife, God rest her soul, wanted a
daughter. I guess we were both a bit disappointed. As you can see,
she is very much her own person.
23(sound cue) piano & clarinet.
24(two-shot) over Wallace’s shoulder.
--Buck: You mentioned you knew my father--funny, I don’t really
remember you.
25(two-shot, angle on Wallace)
--You had already lit out, out there galavanting around butchering buff
& servicing Indian maidens--but he used to talk about you often.
26(angle on Buck)--So you only knew him as a drunk?
27(close-up) Wallace: Bill Buck was my friend--but yeah, I knew him
during the worst years, when you could trip over him any morning,
sleeping on your porch, in your doorway or barn.
28(cut to medium close-up) Salina weeping, holding a single rose,
staring intently at the prairie horizon between buildings.
29( sound cue) violin & harmonica.
Glenn Buttkus
Posted over on dVerse Poets OLN
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