
THE FANTASY OF LONGING TO RETURN
TO THE SOIL CANNOT SOLVE
THE PROBLEM OF MAN’S ROOTLESSNESS
Frangipani atop Vienna piano, next
To a Vietnamized-made
Rumbled pale yellow sweater,
A scene as if
From an old drawing, velvet-curtained concealed,
Room in an old fiction, as if heated, not cold,
Shirt-sleeved, legislated the flawed spectacle.
The reveries, the reversal of what appeared
As furniture and reverses the present dispensation
In a post-metaphysical, post-foundationist
Condominium twenty miles from
Where broken sea weed golds white-sand beaches.
The talk was of how the word “barbaric”
Came into a Grecian vocabulatury because
He, a Greek, could not distinguish the sounds
Of the materiality of the signifiers
Of an alterity, another language than his own.
So I proposed a propaedeutic to
Colors as spacing of chairs
And a child’s face in Matisse
L’Atelier Rouge. She, who at fourteen
Had been the mistress of a local.
Sixty-two year old talk show host,
Had married at twenty a seventy-eight
Year old who died and left her rich,
Now at age at age twenty-two,
Wanted to talk how in the olden times,
Forty-year old women became fat,
Worn gingham dresses and stirred
With a gigantic steel spoon
In large flat steel pans the syrup
Being made from cane juice
Just squeezed out by a mule
Being forced to move a grinder
By pulling around in a circle a pole.
I told her the story how when I was
Four years old I carried a bleached
Flour sack on my back and picked
Cotton. The thick bolls cut my fingers.
I showed her the scars atop
Each finger by the fingernail,
She kissed each one, asked me,
If I would like to go to Las Vegas with her.
She would pay all expenses.
The scars really came from when I was
Sixteen, drunk on white port, and fell on
A broken beer bottle on the sidewalk
As I came out an “Adults-only-XXX” theatre.
Duane Locke
Posted over on The Sound of Poetry Review

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