Thursday, September 4, 2008

Straitjacket


Straitjacket

Something so benign for me construed as cruelty
Such a difference between who I am and who you see

Conclusions you come to of me routinely incorrect
I don’t know who you’re talking to with such fucking disrespect

This shit’s making me crazy
The way you nullify what’s in my head
You say one thing do another
And argue that’s not what you did
Your way’s making me mental
How you filter as skewed interpret
I swear you won’t be happy til
I am bound in a straight jacket

Talking with you’s like talking to a sive that can’t hear me
You fight me tooth and nail to disavow what’s happening

Your resistance to a mirror I feel screaming from your body
One day I’ll introduce myself and you’ll see you’ve not yet met me

This shit’s making me crazy
The way you nullify what’s in my head
You say one thing do another
And argue that’s not what you did
Your way’s making me mental
How you filter as skewed interpret
I swear you won’t be happy til
I am bound in a straight jacket

Grand dissonance
The strings of my puppet are cut
The end of an era
Your discrediting’s lost my consent


Alanis Morissette

Bent For You


Bent For You

You're unsure and you're not ready
so that must mean I want you
You're unavailable
and disinterested
and to you I look for comfort

A million times in a million ways
I will try to change you
A million months and a million days
I'll try to somehow convince you

I have waited for you and adjusted for you and I'm done
I have deferred to you and enabled you and I'm done

You're too young or you're too old or you're simply not inclined
you're asleep or you're withholding be that my cue to crave you

Several times in several ways
I'll try to squeeze love from you
Several hours and several ways
I'll feast on scraps thrown from you

I have bent for you and I've deprived for you and I'm done
I have depressed for you and contorted for you and I'm done
I have stifled for you and I've compromised for you and I'm done
I have silenced for you and sacraficed for you and I'm done

It won't be long before I am reclaimed
It won't take long and I'll be on path again
It won't be easy for us to disengage
I'm at the end of self-deprivation stage

You're afraid of every woman afraid of you're inner workings
You cringe at the thought of living
under the same roof as me
God and everything

A million times and a million ways
I've tried to alter to match you
Several times and several days
I've tried to uncrush on you

Alanis Morissette

2020


2020

I would never have been in such a rush
I would never have tried to control
I would never have worn such 'fear lenses'
I would never have held on so tightly

I would have kept my boundaries set
My loving no’s, my unwavering yes’s
Risked abandonment and stood by that
And thereby felt constant connect

This fountain of regret, this looking back with twenty-twenty
Torturous hindsight if i knew then what i know now
This mountain of remorse won’t repeat with my understanding
This wouldn’t have happened if i knew then what i know now

I would’ve gone slower
Pushed infrequent
Would not have rushed into such commitment
I would’ve shown restraint as my feet got wet
I would’ve baby-stepped into intimate

This fountain of regret, this looking back with twenty-twenty
This torturous hindsight if i knew then what i know now
This mountain of remorse won’t repeat with my understanding
This wouldn’t have happened if i knew then what i know now

I would’ve known much more
Known that time was all we had for future depth to unfold
I would’ve had more faith at every step
I would’ve kept intact through the whole process

Oh this fountain of regret is looking back with twenty-twenty
Torturous hindsight if i knew then what i know now
This mountain of remorse won’t repeat with my understanding
This wouldn’t have happened if i knew then what i know

Alanis Morissette

Sherman and the Sonics


I managed to find some of the Sherman Alexie columns in THE STRANGER and they are priceless pure Alexie wit, sarcasm, philosophy and rant. Here are some of his views.

Glenn


Sonics Death Watch
Vol. XXI
BY SHERMAN ALEXIE

JUNE 4, 2008

Clay Bennett and his Brooks Brothered Gang of Lawyers have filed a motion trying to prevent me from testifying for the City of Seattle in their lawsuit against PBC (the owner of the Sonics). In their motion, they identify me only as a "contributing writer for The Stranger," and not as a Sundance Film Festival–, PEN Malamud–, PEN Hemingway–, and National Book Award–winning writer. Yeesh, what's a girl got to do to get some love and respect from those Okies? Do they think I exist on the $60 checks I get for writing these little missives?
The Oklahoma lawyers also accuse me of being "irrelevant" and selectively quote from my Stranger columns and call them and me "profanity-laced."
I I think they mean that to be an insult, an adjectival measure of my poor character, but when I think of lace I think of the lacey edges of my grandmother's dance shawl, as she slowly and gracefully turned circles in the sawdust of my childhood. So "profanity-laced" is actually a lovely compliment. I see my grandmother spinning with "fuck" and "shit" and "bastard" flitting around her like butterflies.
That's the hilarious part. The disturbing part: The new Sonics owners think that a 12-year season-ticket holder like me is "irrelevant."

June 11, 2008

Last week, in the Egyptian Theatre lobby, a short and chubby white man, clad in typical Seattle lefty wear (sandals with wool socks, REI pants, barn jacket), approached me, shook my hand, and said, "I've been reading your Death Watch columns and I want to thank you. I love the Sonics so much and I've just been so embarrassed to tell anybody."

The man looked as forlorn as a first-timer at an AA meeting. I was furious and sad. Why should this man feel ashamed of his love? Of course, men are often taught to be ashamed of their emotions, especially the ones that make them dependent, hungry, and childlike.
We live in a liberal city supposedly filled with sensitive 21st-century males, but most of my hate mail these days is from local guys who accuse me of being sentimental, florid, immature, and (yikes!) emotional.
But my fans and supporters often seem just as stereotypically male. On the blogs, in the newspapers, and on the streets, these fans can only show their Sonics love—their vulnerability—by expressing their hatred for David Stern, Howard Schultz, and Clay Bennett.

Jesus, we're all a bunch of schoolyard romantics, chasing down what we love only to slug it in the arm.

June 18, 2008

Yesterday, on the last day of school, I pushed a merry-go-round crowded with fourth graders. The kids challenged me to push them faster. So I did.
One boy lost his grip and sailed. It wouldn't have been the first time some kid crashed into playground sawdust. But the agile boy tucked and rolled and I, middle-aged and fat, was quick enough to catch him and break his fall.
Str"Okay," my wife said. "That's enough She wasn't talking to the hyper kids; she was talking to me, her testosterone-swamped husband. The kids and I were all disappointed when I said good-bye and slinked back to our car.
"Wow," my wife said. "You're such a boy."
She knows what she's talking about. She's married to a boy and is the mother of two more—and all of us love to smash stuff. That's one of the reasons why I love basketball so much. One gets to officially smash stuff. And I'm terrified my boys will no longer get to watch the Seattle Sonics professionally smash stuff.
A friend of mine told me he hasn't allowed his son to get emotionally attached to Kevin Durant because he doesn't want his son to have a broken heart.
Yes, there are precious things that good men refuse to smash.

June 25, 2008

Last weekend, in a Manhattan nightclub, in one of the blackest moments in basketball history—and I'm using "blackest" as a positive adjective—Shaquille O'Neal ripped into his former teammate Kobe Bryant, whose Lakers squad was crushed by the Boston Celtics in the NBA Finals.
"You know how I be," Shaq rapped. "Last week, Kobe couldn't do without me." As Lakers teammates, Shaq and Kobe won three NBA titles, but were also constant and public rivals. And now, after years of relatively polite trash-talking at each other, Shaq has exponentially intensified the dialogue.

"Kobe," he rapped. "Tell me how my ass tastes."

Isn't that beautifully insane and obscene? I cannot wait for the next time Shaq and Kobe play against each other. The airwaves will be filled with the censored cell video of Shaq's rap.

To all the racial prisses out there, including the white sportswriters who are condemning Shaq, I must quote from a Mark Twain literary gangsta rap: "Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it."

July 2, 2008

Every year when the hydroplanes come to town, I shake my head at the goofy spectacle of folks getting drunk, sunburned, and sometimes drowned as they watch boats race in fast circles. I cannot understand the attraction.

Every few years, somebody invites me to the symphony or the ballet and I go. But then I spend an endless night trying to stay awake. I cannot understand the attraction.
I am boggled by the success of the TV series Lost, the music of Josh Groban, and any glass sculpture.

I don't know why any sane person would want to live anywhere but Seattle.
Yes, I am a highly biased and irrational jerk, but I do realize the world is filled with competing and valid viewpoints. And I am not afraid to admit my mistakes.
So I admit that NBA basketball players are not Greek gods; they are demigods.

July 8, 2008

The Seattle Sonics are dead. And I am shuffling like an iPod through denial, anger, bargaining, depression, acceptance, and Luke Ridnour. I have bashed Ridnour in print and have bashed him in private. At the press conference following my Sonics trial testimony, I made the cruel joke that Ridnour would be the only Sonic happy to go to Oklahoma City because of his conservative Christianity.

Of course, that's all bullshit. I'm completely wrong. Why would Ridnour want to leave Seattle? He's living out his most precious dream—playing professional basketball—just a few hours' drive away from his hometown of Blaine, Washington. Ridnour's high-school basketball coach was his father, for God's sake, so just think of the immense family pride. How many times over the last few years did Ridnour's father drive to see him play in KeyArena? How many times did Ridnour's high-school buddies show up in large packs to cheer for their boy?

Last summer, I saw Ridnour and his wife riding bikes in Magnuson Park. They are residents of this city. And now they've been uprooted and will live thousands of miles from their families. I don't have anything negative to say about Oklahoma City; I've only enjoyed positive experiences there. But it will never be a prime destination for NBA players. I would bet large sums of money that in 2010 Kevin Durant and Jeff Green will be signing epic deals to play in New York, Los Angeles, Phoenix, or Miami. I would bet that come next summer and the many summers after that, we will spot Luke Ridnour and his wife riding bikes in Seattle parks.
I'm sure Ridnour loves Seattle. It's a gorgeous city, but it will shine less brightly without professional basketball.

Sherman Alexie

Wednesday, September 3, 2008

Sherman Alexie: Genius in our Midst


Sherman Alexie, for one, is no Stranger to genius
Alt-weekly delivers bad cake and a big check to 5 artists
By REGINA HACKETT
P-I ART CRITIC

Sherman Alexie was eating fried chicken in Garfield Park with Stranger editor Christopher Frizzelle when he noticed people heading their way. Later he said that he tried to divert them with an ice vibe, imagining they planned to interrupt his lunch to praise him.

They were, but in a more concrete way than he envisioned. Onto his table they thrust a cake that bore a candy-colored compliment: "You're a Genius."

He'd been hit by the Stranger's cake patrol. It's lousy cake, by all accounts, and the frosting had partly adhered to the box, but it comes with consolations. Along with the other winners of the 2008 Stranger Genius Awards, Alexie gets a check for $5,000 and a party thrown in his honor Sept. 13 at the Moore Theatre.


Alexie
Besides Alexie's award for writing, winners this year are Wynne Greenwood for visual art, Paul Mullin for theater, Lynn Shelton for film and Implied Violence as an institution.

The Stranger initiated the awards six years ago to counter the idea they were nothing but a bunch of naysayers and as an attempt to bloom where they're planted, in Seattle.

Stranger book editor Paul Constant called Alexie's award the "most obvious Genius Award in the history of the Genius Awards."

The Stranger hesitated to give him one, mainly because, Frizzelle said, Alexie occasionally writes for the paper and it might seem as if the Stranger were giving the award to itself.

Not to worry, Alexie said: "I do it contemptuously." (The Stranger cover story this week is Alexie's "Sixty One Things I Learned During the Sonics Trial.")

"Those who live in Seattle are no strangers to THE STRANGER newpaper. It is a little harder to find here in the South Sound, in Tacoma. I did not realize Sherman contributed to the rag. Hell, now I will have to start reading it religiously.

Glenn Buttkus"

Tuesday, September 2, 2008

Rosesong


Rosesong

*Don’t cry Janet Leigh*
heard it walking down Long Path-
rose did wink at me!

Janet Leigh August 2008

I loved seeing this haiku sprout on the pages of POETMEISTER, showing that Janet is still drawn to expression through her poetic roots. I commented:

So true, regardless of our personal pain, our struggles, our anxieties….still the birdsong fills the air, the flowers reach for the sun, and hide their petals from the moon, and all the sprites and fairies flock to remind us that pain is our human companion. We were born in pain. Pain is that which keeps our focus off lethargy, and juxtaposes beautifully when it subsides, and leaves a brief respite of joy or happiness.

Glenn

Freedom


Alex Shapiro has dropped herself into some profound purple & green sense memory imagery this morning over there on NOTES FROM THE KELP:

Freedom.

Certain color combinations
carry with them
specific associations emblazoned
from an event
or a moment
from the past.
For me,
the most powerful
and happy duet
are purple and green. .

It started
sometime around 1980.
I lived in Manhattan,
and back in the days
when you could get across the country
and back for $99,
I visited a friend in San Francisco.
She was a few years older than I,
and lived in what was,
upon reflection,
an unremarkable apartment
in the Sunset area.

At the time however,
coated from the grittiness
of New York City,
I was convinced that
I had landed in some sort
of urban nirvana,
enveloped by a strange new hipness
shrouded in fog
and incense and carrot cake
and a rolling ocean
slamming against one side of the town
and a million other things
that were utterly different
from the mundane familiarity
of the east coast.

Most striking to me
was that my friend
would set her table
with forks, knives and spoons
sporting alternately
purple and green plastic handles.
Why I thought this daring
at the time
I’ll never know,
but there you have it.

It was different
and it was beautiful
and it was beautiful because
it seemed exotic
and it seemed exotic because
so much of the west coast
seemed that way to this NYC kid.

My friend,
and her foggy apartment
with the colored flatware,
represented freedom to me,
and offered a tantalizing view
to what my budding life
might become.

Adding to the color theme mystique,
she even had a set of Taylor and Ng coffee mugs
that matched,
painted with a pastoral scene
of rolling purple and green hilltops.

Soon after I returned
to Manhattan
after that trip,
I found the same mug
and bought it.
This morning,
28 years later,
I drank my coffee from it,
as I have so many times before.
My life,
from east to west,
from purple to green,
and with an ever growing
sense of freedom,
had come full circle.

Alex Shapiro September 2008