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Blackthorne
Cinemagenic Seventy-One
Hostage
“When you have a child, the world has a
hostage.”--Ernest Hemingway.
1(sound cue) harmonica & accordion.
2(two-shot) Salina, over Wallace’s shoulder:
I am my father’s daughter.
Wallace, smiling : It’s just that you can’t close
your eyes, click your heels, and Thor disappears.
His kind of mean hangs in like colic. I think you
should give some thought as to how to straighten
things out.
3(close-up) Salina : OK, Pop. I figured I would cross
that little bridge when I get to it.
4(medium close-up) Wallace : Damn, girl, you should
be fixing to find a way to let him down easy. He is not
used to being told No.
5(voice over) Salina: Well, there’s a first time for
everything--followed by a chuckle.
6(sound cue) piano & harmonica.
7(cut to medium wide shot/exterior) An old buckboard
reined up out front. Johnny Eagle was driving it. A
young black mustang jerked against his harness and
the tall gray mule alongside him. Rod Buck pulled up
and stepped down off his huge roan. Wallace walked
out on the porch, squinting into the east as golden rays
began to edge up over the sign on the CHINA DOLL.
Wallace wiped his liver-spotted calloused hands on his
clean apron.
8(three-shot) Wallace: Nice to see you. Did you run out
of chuck?
Buck: Among other things.
Wallace: Hey, John--then turned on his heel as the
Eagle returned his greeting with a silent nod.
Buck stepped up onto the porch: Do you want to
come in, old brother?
Johnny: Not today, boss. I think I will wander down to
the cantina and shoot the buzzard shit with Mateo.
Buck: I’ll join you there later.
The Eagle jumped down from the wagon; Buck
watched him making his way along the dusty street,
watched how straight he carried himself, how his
shoulder and arm muscles rippled as he walked.
9(sound cue) guitar & coronet.
10(two-shot) Wallace was in the doorway : So
what do you need on this fine morning?
Buck: I’ll need some paint for one--stepping into
the store behind Wallace--What have you got?
10(medium wide shot) Salina was still at the fabric
table. She straightened up and stared at Buck, not
pretending to work.
11(voice over) Wallace: What quantity & color?
12(close up) Buck: Enough to paint a rainbow on
your crapper.
13(two-shot) Salina, over Buck’s shoulder: What a
colorful way of speaking. Good morning, Mr. Buck.
Buck: Good morning, Miss Salina.
Salina: Does Johnny Eagle work for you now?
Buck: That’s what he tells me.
Wallace (as voice over) Blue, black, red, white and
green--a fine selection.
Salina: Fixing up the old place?
Buck: We stay in the bunkhouse for now. The house
needs a ton of work. After I get things presentable,
you might could come out for a visit.
Salina, smiling warmly: Yes, I might could.
14(sound cue) violin & flute.
15(two-shot) She returned to her fabric bolts. He
spent an awkward moment considering what to say
next when Wallace inquired: What colors?
16(sound cue) heavy boot steps just before the front
door swung open, awakening the bee hive of bells.
The Eagle rushed in, a bit out of breath: Boss, I think
you need to come with me right now.
17(three-shot) Buck: Hey, fierce one. I haven’t
ordered anything yet--nor have I had time to ask
Miss Salina for a date.
18(medium close-up) Another smile from the lady.
19(two-shot) Buck: Just tell Mateo to wait a few
minutes.
Johnny: It’s Chatawa.
Buck turned and the two men tramped out of the
store. Wallace shrugged his shoulders & followed
them to the doorsill. A large crowd had gathered
down at the auction corrals.
Glenn Buttkus
Posted over at dVerse Poets Pub OLN