Friday, January 22, 2010
I Hate That Song
Painting by Selina Fenech
i hate that song
. . . what else brassing bones . . .
doorway of a hand
lean over a hawk’s hunger
falling thru the faceless heights
a pose in vertiginous consciousness
breathless voices plunging without fetters
of syntax
her brevity holds its own
Socrates in a bear cave studying naked verbs
if Picasso speared the night
laughing like drunken fish
stitch any hole with the skin
of its own necessity
draw the strange remains of new rivers
how wisdom walks in circles
an algorithm of absences
. . . empty, pull the hat into the rabbit;
Bullwinkle subjugates a noun: pissing on Plato
* * *
i hate that song: the one that goes
turn around turn around
turn around & she’s
a young girl
going out
on her
own
my father always said
i’ll see you in
the stars
at the door to Huff’s
hospital room i
stood said i’ll
see you in
the stars
& left
he
died
within
an hour
a young woman in a bright yellow shirt
& black black hair walks past
goes into the HEB
does it matter
what she
buys
i lean against my white car
smoking a cigarette
last one of
the day
the sun going down
behind gray
clouds
the moon
nearly full
behind my back
i mowed the lawn
after the reading
it was good
everyone
at ease
sold
a book
she said
it was more
an exhortation
my daughter is stoned
somewhere in an apartment
in South Austin & her mother
reads women’s magazines in bed
Deltina works alone into the night
how did we all get so very lonely
he drops the cigarette onto the pavement
crushes it with the sole
of his steel-toed
boot &
Gary is dying of leukemia
my mother sleeps in
my dead father’s
reclining chair
some woman in Singapore
feeds imaginary animals
imaginary food
imagining
it will
bring
her
real love
i used to say there is no such thing
as artificial joy that any joy
is joy & i believe i was
right: it is just a
matter of
scale
these things happened in
a sequence belonging
to the way we
experience
time
memory is not linear
& what is time but memory
Rob has gout Gilmore is pinned
to the walls of his wife’s madness
like a sad Russian with rheumy eyes
John is filming porn his belly sewn up
Judith weeps & Stephanie circles deep seas
Craig knows more & pushes it back like heaven
is simply seeing whatever
we can make shine
right here
nobody knows
we all know
i hate that song;
stars are memory (ask them)
* * *
they visit
(do they)
half formed
(distance carries us)
can you trace what leaves
(what is not taken
remembers)
who enters &
who a guest
(the edge dearer for any light)
name the cuts they bear
sewn with absence
a startled regret
birds! fire!
(still) they abide (still) do they not;
the cave in the blinded eye
* * *
slice of a dark corner
do you remember
he taught you
the Spanish
for knife
a French philosopher
nested in the eye
of each stitch
secrets in coils
thin veins &
dry rivers
a round
cough
girl burns baskets
copper & tin
machines
flawed she says
light seams
widen into nets
wiggling strands of
what she lost to holding
windows fronting
empty hills &
red voices
carry the horizons to their last cradle
do you believe in the inherency of sorrow
in the wedding of the absent groom
to the bride
the tale of parted waters swallowing
the fires of loss
what corner hides the child
who never called your name
her hands tremble again as he takes her
a first refusal she cannot mend
her body the anvil cracked;
the place of being turned
* * *
yellow lamp light
hands float
waiting
her leg draped
in morning
pink
the piano
a ghost
dog
running
a night
wall
wet grass
pearls
loose
were you
always
here
the train
broken
down
lost in
a blue
haze
she turns to
to answer what
she cannot wake
the white noise
of pulled curtains
were you ever there;
the passage of a memory
* * *
come to the wedding
they are already dancing
come to the wedding;
haiku for Kabir
* * *
mysterious light
a dead man
in a panic
is it dawn
already
dawn
blood & honey
spreading spoiling
spurting shots of gall
black blood devil’s nails
the women with their mouths
sewn shut stitched silences of men
how plain any cloud
holes clinging to
emptiness
to sip a watery soup
avert those eyes
a poormouth
he has lied again
& she chops
each point
the root of a word
misery or miser
myst menses
what do you hold
too close, love
flowing out
breakfast served
24-7 & death
& birth
dreams or
wanting
moons
she cannot
finger the star
he waits behind
wandering as he does
line to line asking
is it the light
dead fathers
dead loves
dead time
the music of
cafeterias
a cook
counts
the lost hours
in the smoke of birds
& this is the miracle of dead
men stumbling still alive & the women
gesturing with forks & knives & burning scars;
slaughtered dreams: among red initiates: O
* * *
she tears tortilla jagged
flour & water hard
as iron bark
spit of ghosts
this terrible urge
to be taken
in fire
claw screech
spontaneous
mouthing
gods
squeezed seething
fist the knife
slashing at
the honey
ooze
smash smash smash
as if light were
boiled teeth
exploding
she wants to shake god
loose of recipes
spill the salt
ravage coy secrets
she is tired of perfume
spices & week long marinade
creation explodes from a dragon’s mouth
she will cook in a cave
with bones & bloody legs still running;
the evidence is not conducive to the belief
in a milky unguent streaming softly
from the breasts of a blue white maiden
Richard Lance Williams
Posted over on More Poetry
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