The film To Have and Have Not opened on this day at the Hollywood Theater in Manhattan for an exclusive showing, and it grossed $46,200 in its first week at that one theater, and went on to be a blockbuster. It was billed as "Ernest Hemingway's (books by this author) To Have and Have Not," but in reality it was based very loosely on the novel. A man named Jules Furthman wrote the screenplay, but the government objected to it because it portrayed Cuba in an unflattering way, and in those days—the Batista regime—the U.S. and Cuba were allies. So Warner Brothers told the film's director that the film would have to be cancelled, even though production had already started.
So the director took it to his friend William Faulkner, a screenwriter on the Warner Brothers payroll. Faulkner took the script and rewrote it, changing the setting to Martinique, imagining a new political conflict, combining characters, dropping others, and rewriting dialogue. But since it had attracted the government's notice, all the changes to the script had to be sent to the Office of the Coordinator of Inter-American Affairs and the Overseas Branch of the Office of War Information. Since they were on a tight recording schedule, Faulkner was writing each scene about three days before it was shot, and he helped make changes even during filming. Everyone was pleased with the result, but Faulkner himself wrote to his agent, "After being present for a while at the frantic striving of motion pictures to justify their existence in a time of strife and terror, I have about come to the conclusion which they dare not admit: that the printed word and all its ramifications and photographications is nihil nisi fui; in a word, a dollar mark striving frantically not to DISSOLVE into the symbol 1A."
To Have and Have Not is celebrated as a collaboration between two Nobel Prize winners, although Hemingway and Faulkner did not actually interact during the process of making the film, and apparently Faulkner never mentioned Hemingway at all. And neither one of them wrote the most famous line in the film: "You know how to whistle, don't you, Steve? You just put your lips together and blow." It was improvised on the spot by the director as a screen test for Lauren Bacall, and she did so well that Faulkner wrote it into the screenplay.
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