Friday, September 4, 2009

Invasion


INVASION

Let the “trip-trap” of snares
beat sullenly
‘gainst the dry drum skins
In time to tramp of human hooves
In time to the gun’s crackling death.
In time to the midnight
shrieking children.
Float them over seas’ bloody swell
March them over earth pocked with shell
Then–
With your great broom sweep
this face clean of life
Gutting the world with you knife.


Lewis Sanford Smoler

Posted over on Nicholas D. Kristof's Blog Site

March 19, 2003


March 19, 2003


the soul
too sad to remain in a world
in which
horror is a guest,
ushered through the door
as casually as
the Fuller Brush man,
slips away.
tears talk quietly
as words drop into the abyss,
lost, unspoken, futile
humans unable to share love
see listen touch feel connect
Take to war.
Killing joy, murdering hope.


— joline godfrey

Posted over on Nicholas D. Kristof's Blog Site

Alternative Interrogation Techniques 101


Alternative Interrogation Techniques 101


Begin with a room. A kitchen,
a bedroom, or a living room is best.
The room represents
the everyday world, draws
on associations, impersonates
home. Listen
as interrogator and subject engage
in a story hunt.
The subject recites lines
as in a play. When conversation lags,
they dance.
A good interrogator will use
a logical though not linear approach,
will not allow others to cut
in, and will study anatomy
or recall personal
injury to ferret fleshy weakness.
Anticipating each small step,
the subject frets.
At this point drugs disarticulate
attempts to hold on
to loved ones through memory, withdraw
to safe places in fantasy,
use loyalty to recall
integrity. Pain is solipsistic:
it inspires flesh
to know only itself.
On this side of torture,
the recalcitrant,
the slow, and the innocent learn
damage. Their rights enter the room
as rays of light enter
a prism, refracted.


Laurie Rosenblatt

Posted over on Nicholas D. Kristof's Blog Site

In Halabja and Tikrit



In Halabja and Tikrit

There must be mothers
in Halabja and Tikrit
Who close their eyes
to still their souls,
And pray to hear,
Above the soft rustle of the hijab,
A young whisper on a breeze,
And allow themselves to wonder
What Allah has to do with IEDs.

— Robert Brussack

Posted over on Nicholas D. Kristof's Blog Site

Fourteen Bullets In the Head


Fourteen Bullets In The Head


1.
fourteen bullets in the head
bang bang, you’re dead
strychnine tears fall from my face
ginsburg writing poetry
bush making policy
birdbrain masturbates in the desert
brokow back from baghdad
worse for wear but well traveled
red ooze infiltrates the night
the sycophant of the nocturnal nothingness
slithers round the world
soldiers come back in body bags
like sardines in tins
instead of oil
they float in cherry filled coffins
blood as red as snow white’s ruby red lips
eating holes in the wall of rice pudding
cockroach’s will rule the world
cockroach army in cockroach land

2.
i am strongly opposed to war,
i never believed
there was a cause for it,
my husband was killed
in the world trade center
and i think that this
is not the answer.
i remember thinking bush
was making up
the weapons of mass destruction,
i still think that…
killing is not the answer.

erika lutzner

Posted over on Nicholas D. Kristof's Blog Site

The War Chronicles


The War Chronicles

The writing is on the walls of Haditha,
splashed on ceilings and floors,
etched in potshots,
bright red and freshly painted
with the blood of
Mohammed’s children.

The writing is in their eyes,
shell-shocked,
grainy,
aching to close.

The writing is scrawled in the skys,
jetted between the clouds,
riding erratically on sun rays,
trolling death in dusty puffs below.

The writing is on their palms,
chronically sweating, and their fingers,
filthy with the knowledge
of hair-trigger death.

The writing is in our toothless smiles,
dimpled in American Idols,
close-mouthed, too ashamed
not to zip up the lies.

The writing is on their boots,
broken and scuffed to second-hand vintage
well before their time,
regularly in search of new feet.

The writing is on every cigarette,
burning a hole in some soldier’s lung,
while he lip-pops smoke rings, wafting
through the air like sweet lost souls .

The writing is on our heads
and the pen is in our hands.
How many more must die
before the ink finally, finally runs dry?

— Patricia Michaels

Posted as entry poem over on Nicholas D. Kristof's Blog

Kill Me A Son


Kill Me A Son


God looked down and said
Kill me a son
But when one son was dead
The killing wasn't done

The killing went on
And more sons came
Some said it was wrong
But more were still slain

Why did we make war?
To that place in the East
WMDs for sure
The devil's had his feast


Gregory Robert Samuels

from his book: WAR POEMS FROM IRAQ