Thursday, April 10, 2014

Stairwell Stanzas



image borrowed from bing


Stairwell Stanzas

“Breed not a savage dog, nor permit
a loose stairway.”--Talmud quote. 


She stared at
                 the
              street
                       but never
                                saw
                               what
                                      was there. 
                                              When a sprinkler
                                                                   bec
                                                                 omes
                                                                        abstract
                                                                                 art
                                                                                 all
                                                                                    the robins
                                                                                           begin
                                                                                                 to
                                                                                        become
                                                                                        art
                                                                                        critics.
 The seventeen 
               cables
                     got
                         busy perfecting
                                                a
                                            new
                                                  knot of metal
                                                              fellow
                                                                 ship.
                                                                      Rusted Fords
                                                                                     make
                                                                                         the
                                                                                             best homes
                                                                                                           for
                                                                                                          lots
                                                                                                   of angry
                                                                                                   hungry
                                                                                                   spiders.
                                                                                       Ah hell,
                                                                                 swing
                                                                               your bale
                                                                         up, Bob;
                                                                     there’s
                                                                  plenty of
                                                              space.
    Then we all went out & gobbled pizza,
                                                              the end.



Glenn Buttkus

Posted over on dVerse Poets MTB

Today, Gay wants us to develop our own form of poetry; I call this Stairway 
Verse. It is superb descendant dissonance. 

Would you like the author to read this fun poem to you?

Tuesday, April 8, 2014

Keepsakes



image borrowed from bing


Keepsakes

“Poetry is a pack sack of invisible keepsakes.”
--Carl Sandburg.

Like a dog burying a hambone in the garden,
& then forgetting about it, as a species
we seem to all hoard, save, put aside
every sort of thing--somehow significant
for a moment, for a month--mementos,
souvenirs, impractical gifts, belly button lint,
string, shells, tin foil balls, crystals, driftwood.

Hanging on to the edge of a protruded brick
of our living room fireplace, on the left liberal
side, is my grandfather’s cane, made from
a shellacked bull’s penis, 3 feet in length;
opposite it on the right conservative side
hangs a plain wooden cane that my father-in-law
left behind during a visit fifteen years ago;
both passed on now, both remembered daily
by their dueling canes.

There is a hexagon candy jar
    full of small colored rocks
         that we kept bringing home
                after beach combing & hikes;
part
of a plan I once had
of polishing all
                   of them, and then
displaying them in a beautiful
hand-made wooden bowl
I would get somewhere--
                   but the jar is full,
sitting on a low shelf
in the basement,
alongside
              a clear plastic bag
                                     of perfect sand dollars
that nobody ever sees but me.

The crown jewel of nostalgia
is a small leather suitcase
that my grandfather gave me. 
It had once held his wonderful oil paints
& the brilliant smears of color all over it
make it look Pollock-dripped
or Matisse-dotted.

Inside it now are hundreds of letters.

For a busy decade during my twenties;
while in the Navy,
returning to college twice,
starting my career as an Actor,
then abandoning it for one as a teacher,
he and I
kept up a continuous stream of correspondence.

I kept all of his letters;
he was a wonderful writer,
having the knack
            of seeming just conversational.
Just before
                    he died,
                                  he told me
that he had kept all my letters too,
& that it might be a fun project
to combine them & correlate them.

After he passed away
leaving
a void none of us has ever recovered from,
I organized them,
his letter,
my response--
my letter,
his response;
the perfect memory box.

Years ago,
when I first started blogging,
I thought they were worth sharing,
so I typed up
       a couple of dozen
                of them, until
one day when the absurdity nymphs
stopped by & reminded me
that the world at large didn’t really care
about them as I did,
and besides,
it wasn’t any of their damn business, so

I closed the lid
on the treasured painter’s box,
folding the letters twenty score,
placing it on a high shelf
in the busy furnace room
          at head-height, so that
                      every time I pass by it
                               picking up toilet tissue,
paper towels, 
          feminine products, 
                         or Kleenix, 
we can exchange pleasantries
& knowing glances.


Glenn Buttkus

Posted over on dVerse Poets Poetics

Would you like to hear the author read this poem to you?

Thursday, April 3, 2014

21 Years



April 3, 1993


21 Years

Love is the emblem of eternity, it confounds all notions of time,
effaces all memory of a beginning, all fear of an end.”
--Germaine De Stael.

Just another Thursday morning,
waking up achey & stiff
with a pad of steel wool
in my dry mouth, my mind
still stuck partially in hypnogogic 
review, fast-forward/backward dream slides--

my mother in the kitchen, dead
over 40 years now, but there baking bread,
as the house hummed with family;

five grandchildren,
three daughters,
three strapping son-in-laws
puttering around, fixing things--
broken chairs, swollen doors, burned out
light switches, because they knew this
was all stuff I was incapable of doing,
having the mechanical aptitude of a fruit fly.

My grandfather arm wrestling
with my stepfather out on the tile-covered
table in the corner of our large deck,
both dead, both grunting as their
massive biceps knotted, & their dislike
for each other furrowed itself
into their sweaty foreheads--

two dead dogs,
three dead cats,
all there lying about
enjoying the company
& the day;

replaced by the tick of time
from the clock near my head,
accompanied by the empty basement symphony,
the oil furnace whoosh,
the big freezer wheeze,
the industrial sump-pump gurgle,
the utility sink drip,
the damn dog barking next door,
& the strident pleading 
of our Keezie Kat outside,
reminding me that it was time to feed him--

usually my sweet wife fed him, 
for she still had a job, had a routine,
but this morning she was on Spring Break,
& besides she was in Maryland
with our oldest daughter, hugging
two grandsons.

I called her cell phone as soon
as I could get my tongue to work,
& we had a mad singing duet/duel:
Happy Anniversary,
Happy Anniversary,
Happy 21st Anniversary to you!!!

Later I was on Facebook,
on her page, & I read the tender declaration,
praising her old husband for loving her enough
to send her clear across the country to be with
the furthest extremities of our clan.

Oh sure, I thought,
I’m a real prince;
just staying at home
writing more poetry,
reading the new script
of the play I will be in soon,
cat-sitting, feeling footloose,
buying a new set of radials
for my SUV as an anniversary gift;

and after polishing off another Jimmy Dean
breakfast bowl for one, I clicked open
my digital album & reviewed
some of our other anniversary memories,
the week on the big island of Hawaii,
the few days at the Oregon shores,
the freezing room at that strange B&B
near Mt. Rainier, smiling

at the memory of all the God-awful meals
we had in crappy restaurants while 
heralding our special day, all the lumpy
beds we slept in at hotels & motels,
all those road trips, plane flights, & adventures
we embarked on in the name of our nuptials,
now representing more than two decades
of mostly harmonious matrimony;

marveling at how well 
I was dealing with my solitude,
not really alone,
never alone again,
for her spirit, her essence
surrounded me, & even the old tomcat
seemed to know that 
she would be winging home
soon. 


Glenn Buttkus

Posted over on dVerse Poets MTB

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Tuesday, April 1, 2014

Ursus Americanus



image borrowed from bing


Ursus Americanus

“Whatever happens to the beast, also happens
to the man--all things are connected.”
--Chief Seattle.

When I was ten, I watched my grandfather
skinning out a large black bear. He had shot it
along the Carbon River, near Mt. Rainier,
in the forested foothills of the Cascades. 

It was a big Brownie, probably ran 350 pounds--
it had attacked him while they were both salmon-
fishing. He killed it with five blasts of the .357 Magnum
pistol he always wore while out in the woods. He had
killed bear before, but he often feared that one day
regardless of its wounds, he would meet the bruin
that might have the spirit to keep coming,
and take his life, the pair of them 
dancing with death.

“Never shoot them in the head, it won’t stop them.
If you can get them to stand up on their hind legs,
you shoot them just above the peter, & break
their pelvis, & while they are dragging around
their back legs, you can just walk right up to it,
look him in the eye, & finish the job.”

Working with the carcass in his backyard,
he had removed the head, & as it hung there
on three stout timbers, it looked like a crucified
thief, Barabbas reborn, or like Dan, our
Norwegian mailman; so human-like
it stunned me.

My Pop was a devout Evolutionist, 
& he believed that Bear were a distant relative
to man; it had sweet meat, like pork,
like man himself according to cannibals--
that at some point it just branched off
from great apes, & joined the pack
of Caniforms, letting its snout elongate,
& developing sharp non-retractible claws.

“I call this big guy, Bjorn; notice his cinnamon 
blond color, just like a handsome Swede. I’m
going to make a vest & some house slippers
out of his hide, and a spirit necklace out of
his claws.

He talked about the Native Americans
who worshipped the Bear Totem, respecting
its free spirit, with its definite element of
unpredictability, capable of moving from
berry-eater & fish-catcher to raging warrior
at the drop of a pine cone. 

“Remember, Butch, they look clumsy, but
they can run up to 30 mph, & they climb trees
a hell of a lot faster than you can.”

He told me about hunting Polar bear, Kodiaks,
& grizzlies in Alaska: “I once witnessed
a 1500 pound polar bear attacking a float plane;
tore that plane into corn flakes.”

He always amazed me with his outdoorsman
expertise: “They don’t really hibernate, you know,
they just find a cave & chill out for a couple months,
what they call their “winter sleep”--but they rouse
themselves to crap or piss, or eat some of their
stored up food. So don’t enter a bear’s den during
winter just for the thrill of it, because it will notice,
& it will fuck up your holiday plans.”

In history class I had read about how the Romans
loved to pit bear against lions, gorillas, & even
elephants; how most of the time the bear
were the victors.

“In the wild there is only one predator capable of preying
on adult bear--a tiger; but its real enemy is us, man;
cutting down their habitat, building tract houses
& ugly strip malls, reducing the proud bear clan
to garbage foragers, & pet-killers.
It’s a damn shame.”


Glenn Buttkus

Posted over on dVerse Poets Poetics

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Saturday, March 29, 2014

Blackthorne--Scene Twenty-Five



image borrowed from bing


Blackthorne

Cinemagenic Twenty-Five

Advice

“I always pass on good advice--it’s the only thing to do with
it, for it’s never of any use to oneself.”--Oscar Wilde.

1(sound cue) harmonica.
2(two-shot)
--Barnes: sure, like rats in your grain silo.
--Buck: why doesn’t this town just hire some gunfighters
of it’s own & checkmate Bronson?
3(medium close-up) Barnes: because he’s the one with all the
damn money, the gunslingers, & the politicians.
4(close-up) Buck: and I suppose your crackerjack sheriff is hard
on strangers & easy on Bronson?
5(wide two shot) angle on the barber:
--Barnes: it ain’t that simple. Joe Hopp is from Abeline, and he’s good
with a gun, has a hell of a reputation. I’ve seen him pistol whip several
bad hombres. He is no coward. 
--Buck: then what the hell is he?
6(tighten the two-shot) the barber keeps trimming Buck’s thick beard
with his nickel-plate scissors.
--Barnes: careful, I guess, patient--been here a little over a year. The last 
two sheriffs didn’t fare too well; one was back-shot, the other went
fishing & just lit out. Hopp is bidding his time. I don’t think Bronson
bought his badge.
7(sound cue) the scissors cutting hair & a clarinet mimicking the squeak.
8(medium close-up) the beard begins to disappear, thick clumps of hair
lying on the barber sheet, a strong cleft chin beginning to be seen.
--Buck: what’s the story on Bronson’s brothers?
--Barnes: he’s got two of them.
9(two-shot) angle on Barnes as he pours some hot water into a fat
black shaving mug, then whipped up some frothy lather from the
soap cube in the bottom.
--Barnes: why do you ask, mister?
10(sound cue) acoustic guitar chord.
11(medium close-up) Buck stares out into the street at the cold-shadow
people moving through the hot dust--and beyond them to the phantoms
of the past.
--Buck: I tossed one of them out of a second story window & I’m figuring
on some trouble coming my way.
12(tight two-shot) the barber begins dabbing the wet steaming lather into
the pepper fuzz that remained, working it in with the brush.
--Barnes: then be smart, ride on.
--Buck: such a friendly town--you’re the second person
in a half hour to give me that advice.
13(hold the two shot) The barber opens a long straight razor
and begins to shave him.
14(sound cue) the scrape of the sharp blade on a face, blended
with a violin mimicking the scraping.
--Barnes: you look like a drifter, just blow back out onto the prairie,
slap leather before we have to bury you in boot hill.
15(sound cue) cello & snare drums.
16(close-up) Buck: thanks, but I think I’ll be sticking around
for a bit.
17(wide two-shot) angle on the barber, the black dog still under
the table watching the door.
--Barnes: plenty of men have tried to take on the Bronsons, our
cemetery is full of them, & old Cash is still the hairy bear. 
--Buck: I’ve got roots here.
18(close-up) Barnes: this ain’t the same town you left, son--
your roots are dead & gone for sure. 
19(tight two shot) angle on the hunter:
--Buck: Bronson is just a man; he bleeds red like the rest of us.
--Barnes: he behaves like a baron & his army of lead-pushers
is like a twenty-headed Hydra.
20(sound cue) pioneer fiddle bar.
21(medium close-up) the razor makes several passes down his
cheek, & the skin shone both pale & pink. The barber wiped the
lather on a towel over his shoulder.
22(back to the two-shot) over the barber’s shoulder:
--Buck: how’d this town get so dog-fucked?
23( tight two-shot) angle on the barber:
--Barnes: Bronson showed up here about ten years ago, had a
carpet satchel full of money & six men with him. He started out
buying the old ACE DUECE, sprucing it up to become the CHINA
DOLL. He made a fortune, & every year he bought up more of
the town, growing more powerful. He lets cowpokes & strangers
have their fun, takes their money, & then his men escort them
out of town. 
--Buck: I’m not a stranger.
--Barnes: so you say. 
24(medium wide shot) the barber wipes the straight razor clean,
and sets it in a tray; the shave is over.
--Barnes:  look, I’m an old man--my son tells me I talk too much.
Maybe you work for Bronson, maybe he’s finally decided to shut
me up, maybe you are my assassin. You do stink of death.
25(two-shot) Barnes had spoken calmly, matter-of-fact, without
emotion. He wipes the excess lather off of Buck’s face. 
--Buck: I’ve seen more than my share of it.
26(sound cue) coronet & clarinet duet.
27(hold the two-shot) angle on the barber:
--Barnes: Paul is the youngest, a chickenshit tinhorn coward,
he hides behind the guns of the others.
28(medium close-up) the barber returns to the hair-cutting,
running a red comb through the hair, & snipping the ends off.
--Buck: And Thor is the bad ass, right?
--Barnes: Uh-huh, he shot a fifteen year old farm kid to death
right here in the street last month. He ramrods the Triple-B
Ranch, & he sticks to Cash like a foreskin; he is the enforcer,
& the worst of the hired killers would follow him into hell.
29(close-up) Buck: well shit-fire, hell will pop open when
I meet up with that wicked son of a bitch. 
30(sound cue) saxophone squawking.
31(medium close-up) Cheewa growls like a grizzly in a 
bear trap, and jumps to his feet.



Glenn Buttkus

Posted over at dVerse Poets OLN

Yes, it is the last Saturday of the month, and Open Link Night is upon us.
Would you like the author to read this Cinemagenic Poem to you?